Floris van Wanroij Fine Art

Sculptures


Mosan Master

Mosan Master


Meuse valley region
Gothic, third quarter of the 14th Century, ca. 1360

 

Madonna with the Writing Christ

 

Alabaster, carved in full-round, with traces of the original polychome and gilding
H. 42 cm. W. 17.4 cm. D 9.8 cm.
 

 
Circle of the Master of Hakendover

Circle of the Master of Hakendover


Brussels
Late Gothic, first half of the 15th Century, ca. 1420/30

 

The Presentation at Temple and Simeon's Song of Praise

 

Walnut, carved in high relief
H. 30 cm. W. 26,5 cm. D. 7,5 cm.

 
South Netherlandish Master - The Deposition of Christ

South Netherlandish Master - The Deposition of Christ


Brabant, Brussels

Late Gothic, ca. 1450

 

The Deposition of Christ from the Cross

 

Walnut, carved in high relief, with traces of gesso and gilding

With the inventory number 'F11.8' verso

H. 51 cm.  W. 27,5 cm.  D. 16 cm.

 
North French Master - Virgin anf St John

North French Master - Virgin anf St John


North France, region of Tournai
Late Gothic, second half of the 15th Century, ca. 1450/70

 

The Virgin and St John at the Calvary

 

Walnut, carved in full-round, with traces of the original polychrome
H. 133,5 cm (Virgin) 
H. 111 cm. (St. John)

 

 
South Netherlandish Master - The Presentation of Christ

South Netherlandish Master - The Presentation of Christ


Brabant, Brussels

Late Gothic, ca. 1480

 

The Presentation of the Christ Child in Temple

 

Walnut, carved in high relief, with traces of the orignial polychrome and gilding

Marked with the Mallet-mark of the Brussels guild verso, together with three old collection/inventory numbers: '1240' and 'F11.4' verso, '53.76' bottom

H. 52 cm.  W. 44 cm.  D. 15 cm.

 
Hendric Roesen

Hendric Roesen


Louvain
Late Gothic, late 15th Century

 

Holy Bishop

 

Walnut, carved in full round, with original polychrome

Marked with two makers or workshop marks verso
H. 98 cm.
 

 
South Netherlandish Master - Anna Selbdritt

South Netherlandish Master - Anna Selbdritt


Malines
Late gothic, first quarter 16th Century, ca. 1510/20

 

Anna Selbdritt

 

Walnut, carved in high relief, with traces of polychrome, marked with the Malines three-bar mark on the back
H. 35 cm.  W. 12 cm.  D. 5,5 cm.
 

 
South Netherlandish Master - Saint Anna

South Netherlandish Master - Saint Anna


Brabant, Malines
Late Gothic, first quarter 16th Century, ca. 1520

 

Anna Selbdritt

 

Walnut, carved in high relief, with original polychrome

Marked with the Malines 'M' guild mark for polychrome and gilding and the artists house sign, and marked with the Malines three-bar guild mark verso
H. 34,5 cm.  W. 12,5 cm.  D. 5,5 cm.

 
Netherlandish Master

Netherlandish Master


Netherlandish, Limburg or Lower Rhine
Late gothic, first quarter 16th Century, ca. 1520

 

Saint Anna Selbdritt

 

Walnut, carved in high relief, with traces of original polychrome
H. 80 cm.
 

 
South Netherlandish Master - Passion Group

South Netherlandish Master - Passion Group


Brabant, possibly Antwerp or Brussels
Late Gothic, first half of the 16th Century, ca. 1525

 

A Group form a Passion Retable

 

Oak, carved in high relief
H. 45 cm. W. 28,5 cm. D. 15,5 cm.

 
North Netherlandish Master - Maria Magdalena

North Netherlandish Master - Maria Magdalena


Northen Netherlands, possibly Utrecht
Late Gothic, first half of the 16th Century, ca. 1530 

 

Maria Magdalena

 

Walnut, carved in full-round, with largely the original polychrome
H. 86 cm


 

 
South Netherlandish Master - The Flagellation of Christ

South Netherlandish Master - The Flagellation of Christ


Brabant

Renaissance, first quarter of the 16th Century, ca. 1520

 

The Flagellation of Christ

 

Limestone, foreground carved in almost full-round, background carved in high relief, traces of original (?) polychrome
H. 32 cm. W. 21 cm. D. 8 cm.
 

 
Christ bearing the Cross

Christ bearing the Cross


Brabant, Antwerp
Mannerism, second half of the 16th Century

 

Christ bearing the Cross

 

Oak, carved in high relief
H. 43 cm. W. 28 cm. D. 13 cm.
 

 
After a model by  Francesco Fanelli

After a model by Francesco Fanelli


Anglo-Italian
Second half of the 17th Century, ca. 1650/60

 

The Infant Hercules Child Strangling the Serpents

 

Bronze, cast and chased, patinated, on an ebonised wood base
Bronze: H. 22 cm.  W. 11 cm. D. 13 cm.
 

 
South German Master - The Calvary

South German Master - The Calvary


Southern Germany, possibly Munich or Augsburg
Baroque, last quarter of the 17th Century

 

The Calvary

 

Fruitwood, carved in full-round, on ebonised base 
H. 54 cm.  W. 13 cm.  D. 10 cm.