Meuse valley region
Gothic, third quarter of the 14th Century, ca. 1360

Madonna with the Writing Christ

Alabaster, carved in full-round, with traces of the original polychome and gilding
H. 42 cm. W. 17.4 cm. D 9.8 cm.
 

Brussels
Late Gothic, first half of the 15th Century, ca. 1420/30

The Presentation at Temple and Simeon's Song of Praise

Walnut, carved in high relief
H. 30 cm. W. 26,5 cm. D. 7,5 cm.

Brabant, Brussels

Late Gothic, ca. 1450

The Deposition of Christ from the Cross

Walnut, carved in high relief, with traces of gesso and gilding

With the inventory number 'F11.8' verso

H. 51 cm.  W. 27,5 cm.  D. 16 cm.

North France, region of Tournai
Late Gothic, second half of the 15th Century, ca. 1450/70

The Virgin and St John at the Calvary

Walnut, carved in full-round, with traces of the original polychrome
H. 133,5 cm (Virgin) 
H. 111 cm. (St. John)

 

Brabant, Brussels

Late Gothic, ca. 1480

The Presentation of the Christ Child in Temple

Walnut, carved in high relief, with traces of the orignial polychrome and gilding

Marked with the Mallet-mark of the Brussels guild verso, together with three old collection/inventory numbers: '1240' and 'F11.4' verso, '53.76' bottom

H. 52 cm.  W. 44 cm.  D. 15 cm.

Louvain
Late Gothic, late 15th Century

Holy Bishop

Walnut, carved in full round, with original polychrome

Marked with two makers or workshop marks verso
H. 98 cm.
 

Malines
Late gothic, first quarter 16th Century, ca. 1510/20

Anna Selbdritt

Walnut, carved in high relief, with traces of polychrome, marked with the Malines three-bar mark on the back
H. 35 cm.  W. 12 cm.  D. 5,5 cm.
 

Brabant, Malines
Late Gothic, first quarter 16th Century, ca. 1520

Anna Selbdritt

Walnut, carved in high relief, with original polychrome

Marked with the Malines 'M' guild mark for polychrome and gilding and the artists house sign, and marked with the Malines three-bar guild mark verso
H. 34,5 cm.  W. 12,5 cm.  D. 5,5 cm.

Netherlandish, Limburg or Lower Rhine
Late gothic, first quarter 16th Century, ca. 1520

Saint Anna Selbdritt

Walnut, carved in high relief, with traces of original polychrome
H. 80 cm.
 

Brabant, possibly Antwerp or Brussels
Late Gothic, first half of the 16th Century, ca. 1525

A Group form a Passion Retable

Oak, carved in high relief
H. 45 cm. W. 28,5 cm. D. 15,5 cm.

Northen Netherlands, possibly Utrecht
Late Gothic, first half of the 16th Century, ca. 1530 

Maria Magdalena

Walnut, carved in full-round, with largely the original polychrome
H. 86 cm

Brabant

Renaissance, first quarter of the 16th Century, ca. 1520

The Flagellation of Christ

Limestone, foreground carved in almost full-round, background carved in high relief, traces of original (?) polychrome
H. 32 cm. W. 21 cm. D. 8 cm.
 

Brabant, Antwerp
Mannerism, second half of the 16th Century

Christ bearing the Cross

Oak, carved in high relief
H. 43 cm. W. 28 cm. D. 13 cm.
 

Anglo-Italian
Second half of the 17th Century, ca. 1650/60

The Infant Hercules Child Strangling the Serpents

Bronze, cast and chased, patinated, on an ebonised wood base
Bronze: H. 22 cm.  W. 11 cm. D. 13 cm.
 

Southern Germany, possibly Munich or Augsburg
Baroque, last quarter of the 17th Century

The Calvary

Fruitwood, carved in full-round, on ebonised base 
H. 54 cm.  W. 13 cm.  D. 10 cm.