Meuse valley region
Gothic, third quarter of the 14th Century, ca. 1360

Alabaster, carved in full-round, with traces of the original polychome and gilding
H. 42 cm. W. 17.4 cm. D 9.8 cm.
 

Brabant, Brussels
Late Gothic, first half of the 15th Century, ca. 1420/30

The Presentation at Temple and Simeon's Song of Praise

Walnut, carved in high relief
H. 30 cm. W. 26,5 cm. D. 7,5 cm.

Brabant, Brussels

Late Gothic, ca. 1450

Walnut, carved in high relief, with traces of gesso and gilding

With the inventory number 'F11.8' verso

H. 51 cm.  W. 27,5 cm.  D. 16 cm.

North Netherlandish, possibly Utrecht 
Late Gothic, last quarter of the 15th Century, ca. 1475/80

Oak, carved in high relief / three-quarter round, with traces of the original polychrome, the left hand of both Christ and the Madonna of later date
H. 51,2 cm. W. 28,8 cm. D. 16,2 cm. 

Brabant, Brussels

Late Gothic, ca. 1480

Walnut, carved in high relief, with traces of the orignial polychrome and gilding

Marked with the Mallet-mark of the Brussels guild verso, together with three old collection/inventory numbers: '1240' and 'F11.4' verso, '53.76' bottom

H. 52 cm.  W. 44 cm.  D. 15 cm.

Hendric Roesen

Louvain
Late Gothic, late 15th Century

Walnut, carved in full round, with original polychrome

Marked with two makers or workshop marks verso
H. 98 cm.
 

Brabant, Malines
Late Gothic, first quarter of the 16th Century, ca. 1500/10

Walnut, carved in full round, with the original polychrome and gilding (with restorations) and marked with the Malines three-bar Guild mark under the right foot, the base of late date
H. 35, 4 cm. W. 14 cm. D. 9,2 cm. (excluding base)
 

Brabant, Malines
Late gothic, first quarter 16th Century, ca. 1510/20

Walnut, carved in high relief, with traces of polychrome, marked with the Malines three-bar Guild mark on the back
H. 35 cm.  W. 12 cm.  D. 5,5 cm.
 

Brabant, Malines
Late Gothic, first quarter 16th Century, ca. 1520

Walnut, carved in high relief, with original polychrome

Marked with the Malines 'M' Guild mark for polychrome and gilding and the artists house sign, and marked with the Malines three-bar Guild mark verso
H. 34,5 cm.  W. 12,5 cm.  D. 5,5 cm.

Netherlandish, Limburg or Lower Rhine
Late gothic, first quarter 16th Century, ca. 1520

Walnut, carved in high relief, with traces of original polychrome
H. 80 cm.
 

South Netherlandish, possibly Hainaut

First half of the 16th Century, ca. 1525

Walnut, carved in full round, with traces of the original gesso and polychrome
H. 84,5 cm. W. 65 cm. D. 25 cm.
 

Northen Netherlands, possibly Utrecht
Late Gothic, first half of the 16th Century, ca. 1530 

Maria Magdalena 

Walnut, carved in full-round, with largely the original polychrome
H. 86 cm.

Brabant

Renaissance, first quarter of the 16th Century, ca. 1520

Limestone, foreground carved in almost full-round, background carved in high relief, traces of original (?) polychrome
H. 32 cm. W. 21 cm. D. 8 cm.
 

Brabant, Antwerp
Mannerism, second half of the 16th Century

Oak, carved in high relief
H. 43 cm. W. 28 cm. D. 13 cm.
 

Malines, 1637 – Malines, 1709

The Madonna and Child

Boxwood, carved in full round
H. 22,4 cm. W. 7,8 cm. D. 5,5 cm.